Home The Blue Split Compartments but the person inside can’t

but the person inside can’t see halfway out—and yet the person inside has made this house

Gorgeously translated by Lydia Davis

Paramour works like the best of highly-engineered lipsticks: compact

Hilst's odes enact a baroque danse macabre

Home The Blue Split Compartments but the person inside can’tEmily Critchley Home, the latest collection from writer Emily Critchley, is part experimental confession, part elegiac plea. It is an exploration of the damage done by, in and to many different manifestations of home: with poetry about child abuse, wrongful imprisonment, #MeToo, borders, Brexit, our lost biophilia and global warming, among other issues. It is also an attempt to work through the pieces of a broken family, a broken society and a broken