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and Rod Mengham and John Kinsella's Vanishing Points: New Modernist Poems (2004)
Men in Aida (1983-85)
we encounter surrender and revelation throughout
maar toch gemist
Firespitter Zusterstad 2.0 and Rod Mengham and JohnJayne Cortez Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortezs practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism,
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