Lee Ufan, Untitled I, 2019, Edition of 10 Philippe Parreno Edited by Sara Arrhenius

Edited by Sara Arrhenius

CentrePasquArt and Reykjavik Art Museum

each one functioning as the counterpoint to the one facing it

Includes a reproduction of the Calendar from Les très riches heures du Duc de Berry

Lee Ufan, Untitled I, 2019, Edition of 10 Philippe Parreno Edited by Sara ArrheniusPassionate about prints, Lee Ufan had, for many years, the desire to succeed in creating an extremely long etching. He wanted to push horizontality to its limits. It was at Michael Woolworth's studio that he was able to realize this dream. Confronting himself, with all his physical strength, to the hardness of the steel plates and the vastness of their length, he created two different works as two ways to explore an infinite trajectory. Together an