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DOI:10.3389/fphar.2021.627533

With Scaffold Room as a jumping-off point, one of its performers, Okwui Okpokwasili, recently sat down with scholar Saidiya Hartman to discuss the iconography and cultural consumption of the black body and, in particular, black womens bodies, recalling the Venus examined in Hartmans essay Venus in Two Acts. Following is an excerpt from their wide-ranging conversation, which referenced varied moments in Scaffold Room , from images of a goat-headed woman or a spaceship in the midst of the Mississippi woods, to pop-cultural touchstones such as Beyonc or vaudeville standup comedian Moms Mabley

Bridging the gap: understanding embryonic intervertebral disc development

Cancer Res 2013;73(19):59855995