Stage Fright Nina Boyd Ultimately though I’d just call

Ultimately though I’d just call it a book

this collection is both a free-form dance with and

the novel is modelled after the Japanese prose genre of the zuihitsu

as well as of the artistic and literary scene in post-revolution Cairo

Stage Fright Nina Boyd Ultimately though I’d just callWho is lurking beneath the stage? What emerges from the shadows, when the audience has gone home? Naughty schoolboys, Dan and Jas are about to find out, when they stumble into a rundown theatre and get talking to the old man at the Box Office These spine tingling short stories are all set in the same south London Victorian theatre but at different points in its history: first in its Victorian heyday, then during World War II and lastly in the 1970s